Style, genealogy and performative tradition: voices of legong in Bali: an interview with Anak Agung Gede Oka Dalem about the legong of Peliatan
DOI:
https://doi.org/10.5965/2595034702322025130Keywords:
Legong, balinese dance, performance style, artistic genealogy, peliatanAbstract
The interview with Anak Agung Gede Oka Dalem offers an in-depth overview of the formation and consolidation of the Peliatan style of legong, from its arrival from Sukawati to its international dissemination. The testimony highlights the fundamental roles of masters such as I Wayan Lotring, Gusti Biang Sengog, and Anak Agung Gde Mandera, emphasizing the technical and expressive elements that define the local identity. Oka underscores the continuity of the style and the responsibility of preserving the inherited lineage in the face of sociocultural and educational changes.
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References
COAST, John. Dancers of Bali. London: Faber and Faber, 1953.
DAVIES, Stephen. The origins of Balinese Legong. Bijdragen tot de Taal-, Land- en Volkenkunde, Leiden, v.164, n.2/3, p. 194-211, 2008.
DIBIA, I Wayan; OKA DALEM, Anak Agung. Sang Maestro Legong dan Kebyar (Satya Bela Wira): Penjelajah Dunia dari Bali. Denpasar: Dinas Kebudayaan Provinsi Bali, 2021.
MCPHEE, Colin. A House in Bali. New York: The Asia Press with The John Day Company, 1947.
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