The poetics of forces, Kuniichi Uno's Artaud – and the body to come in art education
DOI:
https://doi.org/10.5965/1414573103562025e0801Keywords:
the concept of strength, the body without organs, investigation of the body, education and artAbstract
Antonin Artaud needs no introduction when it comes to studies of body arts and contemporary art in general. In Artaud – Thought and Body, Kuniichi Uno observes Artaud's poetics through the lens of the notion of force, which he understands to be present in the artistic processes developed by the poet, screenwriter, and playwright. He explores the variations of this notion in the various registers that make up this work, dividing this set into four phases. The result invites us to rethink, in art education and body arts, the preponderance of the body in its relationship with thought and language.
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ARTAUD, Antonin. Escritos de Antonin Artaud. Tradução de Cláudio Willer. Porto Alegre: L&PM, 1986.
ARTAUD, Antonin. Correspondência com Jacques Rivière. Tradução de Olivier Dravet Xavier. Belo Horizonte: Moinhos, 2020.
UNO, Kuniichi. A gênese de um corpo desconhecido. Tradução de Christine Greimer. São Paulo: N-1 Edições, 2016.
UNO, Kuniichi. Hijikata tatsumi. Pensar um corpo esgotado. Trad. Christine Greiner e Ernesto Filho. São Paulo: N-1 Edições, 2018.
DELEUZE, Gilles; GUATTARI, Félix. O Anti-Édipo. Capitalismo e esquizofrenia. Tradução de Joana M. Varela e Manuel Carrilho. Lisboa: Assírio & Alvim, 1995.
DELEUZE, Gilles. Imagem-tempo. tradução de Eloisa de Araújo Ribeiro. São Paulo: brasiliense, 2005.
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