The ecstatic musical time of Olivier Messiaen's Et exspecto resurrectionem mortuorum

Auteurs

DOI :

https://doi.org/10.5965/2525530410022025e0207

Résumé

Olivier Messiaen (1908-1992) composed Et exspecto resurrectionem mortuorum for winds orchestra and metallic percussion in 1964. The piece has five movements of hieratic and monumental, static and ecstatic character, and yet, of great formal simplicity. This study is an analysis concerned with how this simplicity is constructed by means of a compositional principle that is common to the five movements, the intention of each being to produce in the listener an experience of the sacred through sound. This, the sound, is presented in a practically absolute way both as silence and as a glorious and splendid sound potency.

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Biographie de l'auteur

Luigi Antonio Irlandini, UDESC

Luigi Antonio Irlandini: composer and performer (shakuhachi and piano). Research interest: the interaction of 20th- and 21st centuries music composition with Japanese, Indian and Tibetan musical, mythic and philosophical traditions (emphasis on Zen and Vajrayana Buddhism, Vedanta, Vedas). Studied Composition with H.J. Koellreutter, Franco Donatoni and Brian Ferneyhough. M.F.A. in Composition (CalArts), Ph.D. in Composition (UCSB), and is currently Music Professor at UDESC, Florianópolis, Brazil.

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Publiée

2025-09-22

Comment citer

IRLANDINI, Luigi Antonio. The ecstatic musical time of Olivier Messiaen’s Et exspecto resurrectionem mortuorum. Orfeu, Florianópolis, v. 10, n. 2, p. e0207, 2025. DOI: 10.5965/2525530410022025e0207. Disponível em: https://www.revistas.udesc.br/index.php/orfeu/article/view/26943. Acesso em: 25 sept. 2025.

Numéro

Vol. 10 No 2 (2025): Dossiê Músicas de Borda

Rubrique

Artigos

Licence

(c) Tous droits réservés Luigi Antonio Irlandini 2025

Creative Commons License

Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .

 
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