Transdisciplinary methodologies for cultural sustainability in Fashion Design
DOI:
https://doi.org/10.5965.25944630932025e7510%20Keywords:
fashion design, transdisciplinary, teaching methodologies, cultural sustainability, textile craftsAbstract
This article offers a theoretical-methodological reflection on the role of transdisciplinarity in fashion design education, with a focus on valuing artisanal practices, the relationships between designers and artisans, and cultural sustainability in fashion design through the development of culturally sensitive educational practices—that is, practices that recognise, respect, and incorporate the sociocultural contexts of the individuals involved. Drawing on the distinction between multidisciplinary and transdisciplinary approaches, the study adopts a qualitative and critical methodology to analyse four teaching methodologies: participatory design, cultural storytelling, project-based learning, and systemic learning, organised around three structuring axes: methodological, strategic, and validation. The systematisation of these approaches, presented via an analytical framework comprising design tools, modes of practical application, and expected outcomes, facilitates the integration of theory, practice, and craft. This articulation contributes to the education of socially engaged designers committed to fostering cultural sustainability as a response to the complexities faced by the fashion sector. It is concluded that transdisciplinary approaches, by repositioning fashion design education, promote processes of social innovation and cultural sustainability, providing foundations for a transformative design education rooted in ethical and identity-based cultural practices.
Downloads
References
BERTOLA, P. Reshaping Fashion Education for the 21st Century World. Soft Landing: Cumulus Think Tank Publication, n. 3, p. 7–15, 2018.
BRITISH COUNCIL. Crafting Futures resources. Disponível em: <https://arts.britishcouncil.org/resources/crafting-futures-resources>. Acesso em: 23 jun. 2025.
BROWN, S.; VACCA, F. Cultural sustainability in fashion: reflections on craft and sustainable development models. Sustainability: Science, Practice and Policy, v. 18, n. 1, p. 590–600, 9 dez. 2022.
BRYAN-WILSON, J. Fray: Art and Textile Politics. Chicago: University of Chicago Press, 2017.
CATARINA MINA. Catarina Mina: partilhando resultados. Disponível em: <https://www.catarinamina.com/p/transparencia>. Acesso em: 23 jun. 2025.
COMISSÃO NACIONAL DA UNESCO. Património Cultural Imaterial em Portugal. Disponível em: <https://unescoportugal.mne.gov.pt/pt/temas/proteger-o-nosso-patrimonio-e-promover-a-criatividade/patrimonio-cultural-imaterial-em-portugal>. Acesso em: 23 jun. 2025.
CORBETT, S. How to be a craftivist: the art of gentle protest. Paperback edition ed. London: Unbound, 2019.
DAVIS, M.; DE BARI, J.; MASCHI, S. Credentialling: Educational Pathways in Design. She Ji: The Journal of Design, Economics, and Innovation, v. 9, n. 2, p. 117–134, 2023.
DAVIS, M.; DUBBERLY, H. Rethinking Design Education. She Ji: The Journal of Design, Economics, and Innovation, v. 9, n. 2, p. 97–116, 2023.
EDGE. The Missing Foundation: Culture’s place within and beyond the SDGs. Disponível em: <https://www.britishcouncil.org/research-insight/missing-foundation-report>. Acesso em: 23 jun. 2025.
FLETCHER, K.; GRASE, L. Moda & sustentabilidade: design para mudanças. [s.l.] Editora Senac São Paulo, 2021.
GOV.BR. Programa do Artesanato Brasileiro (PAB). Disponível em: <https://www.gov.br/empresas-e-negocios/pt-br/artesanato>. Acesso em: 23 jun. 2025.
GREER, B. Craftivism: The Art of Craft and Activism. New York: Arsenal Pulp Press, 2014.
HALL, E. A Green Manifesto for Art, Craft and Design Education. International Journal of Art & Design Education, v. 42, n. 4, p. 611–621, nov. 2023.
HU, J.; HUR, E.; THOMAS, B. Value-creating practices and barriers for collaboration between designers and artisans: a systematic literature review. International Journal of Fashion Design, Technology and Education, v. 17, n. 1, p. 25–36, 2 jan. 2024.
IONICĂ, P. Traditional Crafts. What About? Culture. Society. Economy. Politics, v. 2, n. 1, p. 51–59, 1 jun. 2022.
KOVÁCS, M. A dimensão cultural do desenvolvimento: rumo à integração do conceito nas estratégias de desenvolvimento sustentável. Revista Observatório Itaú Cultural: cultura e desenvolvimento, n. 27, 2020.
MANZINI, E. Design para a inovação social e sustentabilidade: comunidades criativas, organizações colaborativas e novas redes projetuais. Rio de Janeiro: E-Papers, 2008.
MARINUCCI, S.; et al. Voces de la Artesanía: diálogos para práticas sustentables. British Council Argentina ed. Argentina, Bangladesh, Bután, India, Pakistán, Sri Lanka: [s.n.].
MARTIN, B. Universal methods of design: 100 ways to research complex problems, develop innovative ideas, and design effective solutions. Beverly, MA: Rockport Publishers, 2012.
MARTINS, G. D’OLIVEIRA. Património Cultural: Realidade Viva. Lisboa: Fundação Francisco Manuel dos Santos, 2020.
MATOS, J. F. et al. Teaching and Learning Research Methodologies in Education: A Systematic Literature Review. Education Sciences, v. 13, n. 2, p. 173, 7 fev. 2023.
MEYER, M. W.; NORMAN, D. Changing Design Education for the 21st Century. She Ji: The Journal of Design, Economics, and Innovation, v. 6, n. 1, p. 13–49, 2020.
MINISTÉRIO DO TURISMO, GOV. BR. Conheça os 5 patrimônios culturais imateriais da humanidade no Brasil. Disponível em: <https://www.gov.br/turismo/pt-br/assuntos/noticias/conheca-os-05-patrimonios-imateriais-da-humanidade-no-brasil>. Acesso em: 23 jun. 2025.
MORIN, E.; DE ASSIS, C. E. Educação e complexidade os sete saberes e outros. São Paulo: Cortez Editora, 2007.
MURZYN-KUPISZ, M.; HOŁUJ, D. Fashion Design Education and Sustainability: Towards an Equilibrium between Craftsmanship and Artistic and Business Skills? Education Sciences, v. 11, n. 9, p. 531, 10 set. 2021.
NOEL, L.-A. et al. Pluriversal Futures for Design Education. She Ji: The Journal of Design, Economics, and Innovation, v. 9, n. 2, p. 179–196, 2023.
PROGRAMA SABER FAZER. Programa Nacional Saber Fazer Portugal. Disponível em: <https://programasaberfazer.gov.pt>. Acesso em: 26 jun. 2025.
SANCHES, M. C. DE F. Moda e projeto: estratégias metodológicas em design. 1. ed. São Paulo: Estação das Letras e Cores, 2017.
SARK, K. Creativity, craft, gender and fashion. Clothing Cultures, v. 10, n. 2, p. 99–115, 1 dez. 2023.
SCHULZ, F. E.; CUNHA, J. Edgar Morin’s Vision and the Fashion Design Education. Part II—“Human Understanding: Understanding Each Other” as an Approach to Cultural Sustainability. Em: RAPOSO, D.; NEVES, J.; SILVA, R. (Eds.). . Perspectives on Design III. Cham: Springer Nature Switzerland, 2024. v. 34p. 257–274.
SCHULZ, F. E.; FREIRE, L. H.; DA CUNHA, J. L. F. L. The 7 Complex Lessons from Edgar Morin Applied in Fashion Design Education for Sustainability. Em: RAPOSO, D. et al. (Eds.). . Advances in Design, Music and Arts II. Cham: Springer International Publishing, 2023. v. 25p. 193–208.
UNESCO. MONDIACULT 2025. Disponível em: <https://www.unesco.org/en/mondiacult?hub=171169>. Acesso em: 23 jun. 2025.
UNITED NATIONS. The 17 Goals. Disponível em: <https://sdgs.un.org/goals>. Acesso em: 26 jun. 2025.
VACCA, F.; BERTOLA, P.; COLOMBI, C. Designing Culture-intensive Artefacts. How the Design Process Interprets Craft Reiteration to Build Future Diversities. Strategic Design Research Journal, v. 15, n. 3, p. 350–360, 16 out. 2023.
WUBS, B. et al. RE-FRAME FASHION Report Innovoation in Fashion Education ERASMUS+ KA2 Strategic Partnerships. [s.l.] University Rotterdam: Rotterdam, The Netherlands; Université Paris-Dauphine: Paris, France; Gda´nsk University of Technology: Gdansk, Poland, 2020. Disponível em: <https://repub.eur.nl/pub/135348/Re-Frame_Fashion_Final-New.pdf>. Acesso em: 23 jun. 2025.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Fernanda Enéia Schulz, Joana Cunha

This work is licensed under a Creative Commons Attribution 4.0 International License.
- Authors retain copyright and grant the journal the right of first publication, with work simultaneously licensed under the Creative Commons Attribution 4.0 International License, which allows for:
1. Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
2. Adapt — remix, transform, and build upon the material for any purpose, even commercially.
The licensor cannot revoke these freedoms as long as you follow the license terms.Under the following terms:
1. Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
2. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. -
Plagiarism, in all its forms, constitutes unethical publication behavior and is unacceptable. This magazine uses iThenticate similarity control software.
Funding data
-
Fundação para a Ciência e a Tecnologia
Grant numbers 2023.04439.BD