How to bring the creation processes of the research to the writing?
DOI:
https://doi.org/10.5965/24471267622020131Keywords:
creation process, art education , academic researchAbstract
This article was written by three researchers, who share the investigation on Creation Processes at the intersection among Art, Education and Research. It presents concepts on the Genetic Criticism by the professor Cecília Almeida Salles and three complementary narratives from each author, about the creation process of the writing, during the development of each individual research. On the weave of read, said, whispered, picked, drawn, sketched and written words on surfaces such as diaries, sketchbooks and colored pieces of paper on the walls, thoughts, reflection, wishes and discoveries materialize, which, gradually, enbody the text. By weaving approaches between creation and research, the authors invite the reflection they share: How to bring the creation processes of the research to the writing?
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CAVALCANTI. Moema; MELO, Chico Homem de; MATSUSHITA, Raquel; MASSARO, Silvia. Moema Cavalcanti: Livre para voar. Imprensa Oficial do Estado de São Paulo, 2019.
MATTAR, Sumaya. O ato cartográfico na docência da arte: instaurando estados criativos de experimentação, In Encontro da Associação Nacional de Pesquisadores em Artes Plásticas, 26o, 2017, Campinas. Anais do 26o Encontro da Anpap. Campinas: Pontifícia Universidade Católica de Campinas, 2017. p.3277-3291. Disponível em: http://anpap.org.br/anais/2017/PDF/S10/26encontro______MATTAR_Sumaya.pdf.
SALLES, Cecília Almeida. Gesto inacabado : processo de criação artística. São Paulo: FAPESP: Annablume, 1998. 168p.
_______. Gesto inacabado : processo de criação artística. 3ª ed. São Paulo: FAPESP, Annablume, 2007. 168p.
_______ Redes de Criação: construção da obra de arte. Vinhedo, Editora Horizonte, 2006. 176p.
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