Authorial photography as a translation of memories and subjective affections in shared dialogues in educational activities in the cultural space
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https://doi.org/10.5965/24471267612020068Abstract
Notas sobre a Teoria da Arte na fotografia de Jeff Wall e Thomas Struth
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References
BENJAMIN, Walter, A Modernidade (Pequena História da Fotografia), Lisboa, Assírio & Alvim, 2006.
NIETZSCHE, Friedrich, O Nascimento da Tragédia (Acerca da Verdade e da Mentira no Sentido Extramoral), Relógio D´Água, Lisboa, 1997.
JEFF WALL, Catalogue Raisonné 1978-2004, Schaulager/ Steidl, Switzerland-Göttingen, 2005 (cat.).
WALL, Jeff, Gestus: Scritti sull´Arte e la Fotografia, Quodlibet, Macerata, 2003.
WALL, Jeff, Ensayos y Entrevistas, Centro de Arte de Salamanca, Salamanca, 2003.
THOMAS STRUTH: Photographs 1978-2010, Museu de arte Contemporânea de Serralves, Porto, 2012 (cat.).
THOMAS STRUTH: Making Time, Museo Nacional del Prado, Madrid, 2007 (cat.).
THOMAS STRUTH: Still, Shirmer Art Books, Nîmes-Amsterdam-Paris, 2001 (cat.).
SANTOS, Diogo, O Grotesco, a Verdade e a Dimensão Dramatúrgica na Fotografia de Jeff Wall. Dissertação de Mestrado em Crítica, Curadoria e Teorias da Artes, Faculdade de Belas-Artes da Universidade de Lisboa, (policopiado).
Videografia
WILLIAM KLEIN, Provas de Contacto, Midas, 2009 (DVD).
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