Pintura, cultura e realidade

Authors

  • Miguel Vassali Universidade do Estado de Santa Catarina

DOI:

https://doi.org/10.5965/24471267512019103

Keywords:

culture , painting , subjectivity , reality

Abstract

This article aims a reflection about art as knowledge area that studies and disseminates culture. Therefore, the scenarios of modernity and postmodernity suggest, as Lipovetsky (2004) presents, the advance of the production of subjectivity through culture and consumption systems. It influences the desires and the formation of individuals. For this reason, Guattari and Rolnik (1996) differentiate the processes of singularization (which intends to make individuals aware of the imposed subjectivities in order to create alternatives for an autonomous life) and individualization (this refers to the efforts of the capitalist production for regulate the groups according with consumption). In this sense, the ideas of Merleau- Ponty (2013) about the raw material of painting are exposed: culture and social relations in their respective contexts. Also through the texts of Sabino (2018) the role of painting is analyzed as a reading of reality. Painting and artistic work in this scenario can contribute to the identification of social realities as a new process of perceptions and sensibilities

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References

GUATTARI, Félix; ROLNIK, Suely. Micropolíticas: cartografias do desejo. 4. ed. Rio de Janeiro: Editora Vozes, 1996.

LAMPERT, Jociele. [Entre paisagens] ou sobre 'ser' artista professor. In: Cadernos de Pesquisa – Pensamento Educacional. Revista do Programa de Pós-Graduação em Educação UTP. Dossiê: arte e educação: abordagens e perspectivas. Paraná: Curitiba, 2016, v. 11, n. 29. ISSN: 2175-2613.

LIPOVETSKY, Gilles. Os tempos hipermodernos. São Paulo: Barcarolla, 2004. 129 p.

MERLEAU-PONTY, Maurice. O olho e o espírito. 1. ed. São Paulo: Cosac Naify, 2013.

ROTHKO, Mark. A realidade do artista. Filosofias da arte. Lisboa: Cotovia, 2007.

SABINO, Isabel Maria. Four seasons, please! #3: A realidade, a pintura e algum cinema. Porto Arte: Revista de Artes Visuais. Porto Alegre: PPGAV-UFRGS, v. 23, n. 39, p.31-45, jul.-dez. 2018. e-ISSN 2179-8001.

SÃO PAULO. Universidade de São Paulo. Museu de Arte Contemporânea. Acervo do MAC on-line. Como vai você, Geração 80? In: Arte do século XX/XXI: visitando o MAC na web. [s.d.]. Disponível em: http://www.mac.usp.br/mac/templates/projetos/seculoxx/modulo6/vaivc/index.html. Acesso em: 20 fev. 2019.

SILVA, Tharciana Goulart da; LAMPERT, Jociele. Reflexões sobre a Abordagem Triangular no Ensino Básico de Artes Visuais no contexto brasileiro. Revista Matéria-Prima. Lisboa, 2017, v. 5 n. 10. ISSN 2182-9756 e-ISSN 2182-9829.

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Published

2019-04-30

How to Cite

VASSALI, Miguel. Pintura, cultura e realidade. Revista Apotheke, Florianópolis, v. 5, n. 1, 2019. DOI: 10.5965/24471267512019103. Disponível em: https://www.revistas.udesc.br/index.php/apotheke/article/view/15212. Acesso em: 10 sep. 2025.

Issue

Vol. 5 No. 1 (2019): Artista Professor, Professor Artista, sobre ser e estar

Section

Artigos Seção temática

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