Vol. 2 No. 58 (2026): Dossiê Temático: Estudos do reenactment nas artes da cena

View Vol. 2 No. 58 (2026): Dossiê Temático: Estudos do reenactment nas artes da cena

DOI: https://doi.org/10.5965/1414573102582026

Published: 2026-09-01

Office hour

Expediente

Corpo Editorial

1-4

Editorial

Editorial

Corpo Editorial

1-5

Editorial de Dossiês Temáticos

Editorial - Thematic Dossier: Reenactment studies in the performing arts

Camila Bastos Bacellar, Danielle Avila Small, Luciana Eastwood Romagnolli, Rita Aquino, Sandra Bonomini Martínez, Soraya Martins Patrocínio

1-16

Dossiê Temático: Estudos do reenactment nas artes da cena

Never for the First Time: Ruth St. Denis and the dance of indian immigrants

Carolina Nobrega Nóbrega Silva

1-22
In the trace of the souffle: the Prompter as a conceptual operator within the temporalities of reenactment

Raphael Rocha Teixeira

1-26
What persists: embodying, performing, historiographing, changing

Luciana Eastwood Romagnolli

1-12
History and theater, archive and performance: tentacular temporality in Um pássaro não é uma pedra [A Bird Is Not a Stone]

Daniele Avila Small

1-28
Dance Library: performance telling and reenactment as acts of fiction

Jorge Luiz Alencar Sampaio, Mario Machado Neto

1-22
From the bathtub to water tank: the political relationship of reenactment in Susanne Linke and Giselda Fernandes

Jonas Karlos de Souza Feitoza

1-17
Recreating the past. Reenactment, archives, and tradition in Argentine folk dances

Aldana Iglesias

1-24
A "symbolic sketch" - Doing again as a historiographic methodology for Argentine dance

Sofía Rypka, Ana Lucía Pellegrini

1-27
Traces of the Archive: Imagination as a Creative Procedure and Method of Historical Research

Eugenia Cadús, Mateo de Urquiza

1-27
Modern Dance Revisited: Reenactment as a Methodological Approach to the History of Chilean Dance

Andres Grumann-Sölter

1-21
Recreating the unrepeatable: the ethics of recurrence in performance art

Andrea Pagnes

1-33
Recreating the Unrepeatable:The Ethics of Recurrence in Performance Art

Andrea Pagnes

1-32
- Pdf
- Html
- Epub
Posthumous letter to Tadashi Endo: between the breath and the grave – pedagogies of impermanence

Simone de Mello Martins, Sandra Corradini

1-25

Reports

Chuva de Direitos: a tribute to Márcia X.

Elilson Gomes do Nascimento

1-14
Becoming Rag: Undisciplined Materialisms and Textile Avatars

María Alejandra Estifique, Francisco Ramallo

1-17
Research and Experience in an Artist-in-Residence Program: The ÁHQIS Acting Laboratory in Fortaleza

André Carreira, Eduarda Leite, Guilherme Augusto Nunes dos Santos, Suelen Grimes

1-32

Continuous flow

For regenerative fabulations in the performing arts: the task of writing more-thanhuman stories

Martha de Mello Ribeiro

1-21
Are you going to see the clowns? Don't forget the chewing gum! Chewing on laughter from decolonial feminisms

Daiani Cezimbra Severo Rossini Brum, Ana Fuchs, Maria Brígida de Miranda

1-26
The performance-lecture and the embodied knowledge

Sofia Boito

1-23
Afro-Brazilian spatial practices and scenic-performative visualities in the appearance of “Nego Fugido”

Cristiano Cezarino Rodrigues

1-25
Lighting as a Language: Dialogues Between the Theatrical and the Architectural in the Perception of Space

Thamiris Calegari Rodrigues, Rosana Aparecida Pimenta, Marilia Solfa

1-25
A methodological proposal to analyze the labor market of the cultural sector in Santa Catarina

Marília Carbonari, Tereza Mara Franzoni

1-19
Indigenous education at the Parintins Festival: performing arts and pedagogical tools in Boi Caprichoso

Adan Renê Pereira da Silva, Everton Vinicius Freitas Moraes

1-27
The bricoleur lighting designer and their luminous creations: artifacts, bricolages, and artisanal practices

Fernanda Guimarães Mattos de Souza

1-18
Otherness and Field of Vision: Experimentations and Reflection on a Pedagogical Practice

Eduardo Piras, Natacha Dias

1-24
Body in fold: pits, grounds, gravity, and traces – Artistic creation as research

Morgana Mafra

1-17
Regime biotecnomágico: corpos em cena entre mediações tecnológicas e ancestrais

André L. Rosa, Julia Evelyn Araújo Calegari

1-26
Blackface and black representations: a counter-hegemonic history of theater

Marcos Nogueira Gomes

1-25
Experiences of transit: the spectator-walker model in SRE visitas guiadas by Teatro Ojo

María Miranda Rocamora

1-21
Chronicle of a Little Stage: a History of Café-Teatro Lima (1975-1989) in Gente Magazine

Rosane Kaminski, Manuel Guerrero

1-31
Theater Against Prisons: Poetics and Pedagogies for the Obsolescence of Carceral Punitivism

Murilo Moraes Gaulês, Viviane Becker Narvaes; Vicente Concílio; Ashley E. Lucas, Caroline Vetori de Souza, Walidah Imarisha

1-27
The montage as research: tragedy, Bumba-meu-boi and formativity in Atenas: Mutucas, boi e Body

Gracia Navarro, Larissa de Oliveira Neves Catalão
Mulheres recontam Brasília: memórias candangas, teatro documentário e fabulação crítica

Jemima Tavares de Medeiros, Sulian Vieira Pacheco

1-20

Interviews

The creation of the play With Love, From Inside by The Dropped Keys Theatre Company: an interview with Ashley Lucas

Ashley Lucas, Caroline Vetori, Vicente Concilio

1-25

Translations

Nietzsche, Tragedy, and the Theory of Catharsis

Rafael Percino; James Porter

1-33
With Love, From Inside

Pietra Bonet; Caroline de Souza; Vicente Concilio

1-42

Ensaio Fotografico de Espetáculos

Mary Shelley: a sombra da criação

Paulo Balardim

1-31