O passado, origem da autenticidade do presente, nas pesquisas de Stanislavski e Grotowski

Authors

  • Marta Isaacsson Universidade Federal do Rio Grande do Sul (UFRGS)

DOI:

https://doi.org/10.5965/1414573101062004009

Abstract

Artigo que trabalha os elos de contacto entre as pesquisas do fundador do Teatro Laboratório (Grotowski) com aquelas do fundador do Teatro de Arte de Moscou (Stanislavski).

Downloads

Download data is not yet available.

Author Biography

  • Marta Isaacsson, Universidade Federal do Rio Grande do Sul (UFRGS)
    Professora doutora adjunta no Departamento de Artes Cênicas da UFRGS.

Downloads

Published

2018-05-19

Issue

Vol. 1 No. 6 (2004): Teatro e Memória

Section

Continuous flow

License

Copyright Statement

The articles published by the magazine are free to use. The copyright is all assigned to the magazine. The articles whose authors are identified represent the expression from the point of view of their authors and not the official position of the journal Urdimento. The author (s) undertakes whenever publishing material relating to the article published in Revista Urdimento mention the said publication as follows: This article was originally published by Urdimento magazine in its volume (put the volume), number (put the number) in the year of (put the year) and can be accessed at:
 http://www.revistas.udesc.br/index.php/urdimento

This work is licensed under a Creative Commons Attribution 4.0 International License.

 

How to Cite

O passado, origem da autenticidade do presente, nas pesquisas de Stanislavski e Grotowski. Urdimento: Revista de Estudos em Artes Cênicas, v. 1, n. 6, p. 009–019, 19 May2018.

Most read articles by the same author(s)