Cultural Dynamics and Creative Economy: the influence of fairs and events in strengthening Fashion and Crafts in local contexts

Authors

DOI:

https://doi.org/10.5965/259446301032026e8816

Keywords:

creative economy, Fashion, Crafts, Cultural events, territorial development

Abstract

The creative economy has consolidated itself as a strategic field for territorial development, especially in contexts where culture, fashion, and crafts act as vectors for generating symbolic and economic value. In this scenario, fairs and cultural events assume a relevant role in promoting the circulation of knowledge, products, and experiences, contributing to the appreciation of local creative practices. This article analyzes how fairs and cultural events act as catalysts for strengthening fashion and crafts in local contexts, based on a case study of the Mercado Xique event, held in the state of Piauí. The research adopted a qualitative approach, using document analysis, interviews with participants, direct observation, and photographic records as methodological procedures, with data processing through thematic analysis. The results show that the event acts as a space for symbolic legitimation, identity strengthening, and expansion of visibility and commercialization opportunities for artisans and fashion designers. At the same time, the analysis reveals limitations related to the punctual temporality of the actions and the need for greater articulation with public policies and long-term strategies. It can be concluded that cultural events such as the Xique Market are concrete instruments for activating the territorial creative economy, provided they are integrated with structuring actions capable of sustaining their social, cultural, and economic impacts.

Downloads

Download data is not yet available.

Author Biographies

  • Elida Beqluice de Araújo Santiago, São Paulo State University

    Mestranda em Design pela Universidade Federal do Maranhão- UFMA. Possui graduação em DESIGN DE MODA pela Faculdade de Saúde, Ciências Humanas e Tecnológicas do Piauí (2010) e especialização Latu Sensu em Docência da Educação profissional pelo Instituto Federal do Piaui (2011). Tem experiência na área de Educação, com ênfase em Educação Profissional e Ensino Superior. Professora DE do quadro Efetivo do Eixo de  Produção Industrial do Instituto Federal do Piaui/ Campus Piripiri- IFPI.

  • Olimpio José Pinheiro, São Paulo State University

    Post-Doctorate in History and Theory of Art at the École des Hautes Études en Sciences Sociales, EHESS - France; PhD and Master's degrees in Sociology from FFLCH-USP; Bachelor's degree in Fine Arts from ECA-USP.

  • Marizilda dos Santos Menezes, São Paulo State University

    PhD in Architecture and Urbanism from FAU-USP; Master's degree in Architecture from EESC-USP; Specialization in Design from the Ecole Des Beaux-Arts Et Arts Appliqués de Nancy – France; Bachelor's degree in Building Design from the Ecole Des Beaux-Arts Et Arts Appliqués de Nancy – France; Bachelor's degree in Industrial Design from the Armando Álvares Penteado Foundation and in Drawing and Fine Arts from the Faculty of Fine Arts of São Paulo.

References

BAKSHI, Hasan; FREEMAN, Alan; HIGGS, Peter. A dynamic mapping of the UK’s creative industries. London: Nesta, 2013. Disponível em: https://media.nesta.org.uk/documents/a_dynamic_mapping_of_the_creative_industries.pdf . Acesso em: 03 de janeiro de 2026.

BENDASSOLLI, Pedro F.; WOOD Jr., Thomaz; Kirschbaum, Charles; Pina e Cunha, Miguel. Indústrias criativas: definição, limites e possibilidades. RAE - Revista de Administração de Empresas, vol. 49, núm. 1, enero-marzo, 2009. pp. 10-18. Fundação Getulio Vargas: São Paulo, Brasil. Disponível em: http://www.redalyc.org/articulo.oa?id=155113814003 . Acesso em 02 janeiro de 2026.

BOURDIEU, Pierre. As regras da arte: gênese e estrutura do campo literário. Tradução de Maria Lúcia Machado. São Paulo: Companhia das Letras, 1996.

BARBOSA, Lívia. CAMPBELL, Colin. Cultura, consumo e identidade. 1.ed. Rio de Janeiro: Editora FGV, 2007.

CANCLINI, Néstor García. Culturas híbridas: estratégias para entrar e sair da modernidade. Tradução de Ana Regina Lessa e Heloísa Pezza Cintrão. 4. ed. São Paulo: Edusp, 2019.

HALL, Stuart. A identidade cultural na pós-modernidade. Tradução de Tomaz Tadeu da Silva e Guacira Lopes Louro. 11. ed. Rio de Janeiro: DP&A, 2006.

HOWKINS, John. The creative economy: how people make money from ideas. London: Penguin Books, 2001.

LARA, Larissa Mongruel Martins de. Tipologia de eventos. Ponta Grossa : UEPG/NUTEAD, 2017.

LIPOVETSKY, Gilles; ROUX, Elyette. O luxo eterno: da idade do sagrado ao tempo das marcas. Tradução de Maria Lúcia Machado. São Paulo: Companhia das Letras, 2005.

MERCADO XIQUE XIQUE. Relatório avaliativo da 4ª edição do Mercado Xique Xique. Teresina: Mercado Xique Xique, 2024.

MERCADO XIQUE XIQUE. Relatório técnico conclusivo do Mercado Xique Xique – Edição Natal. Teresina: Mercado Xique Xique, 2025.

SENNETT, Richard. O artífice. Tradução de Clóvis Marques. 10.ed. Rio de Janeiro: Record, 2021.

Published

2026-10-01

How to Cite

Cultural Dynamics and Creative Economy: the influence of fairs and events in strengthening Fashion and Crafts in local contexts. Revista de Ensino em Artes, Moda e Design, v. 10, n. 3, p. 01–26, 1 Oct.2026.

Most read articles by the same author(s)