Os olhos tristes da casa, os olhos meigos do boi: Uma leitura de quatro obras do modernismo brasileiro pertencentes ao acervo do MASC
DOI:
https://doi.org/10.5965/1808312911162016053Abstract
O artigo pretende realizar uma reflexão sobre o modernismo brasileiro, ancorada na leitura de quatro gravuras pertencentes ao Museu de Arte de Santa Catarina: duas de Tarsila do Amaral, uma de Mund Júnior e uma de Domingos Fossari. As quatro obras apresentam elementos que nos permitem questionar as relações entre a ideia de progresso e modernização em contraponto com a manutenção de tradições do passado.
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