UM MOSAICO MISTERIOSO: COMPOSITION OF A WORLD
DOI:
https://doi.org/10.5965/24471267212016228Keywords:
Art, Science, Fiction, Manipulation, CompositionAbstract
The issue of this paper is about the construction processes involved the simulation of a scientific publication a piece of writing from an article on scientific magazine within the installation that take part of installation "Um mosaico misterioso (2015)". Through transits between The work presents some concepts of art and science the art and science field, it shows how discursive images and obsolete systematics are decontextualized through collection, manipulation and assembly procedures, to build new relationships establish new relation between reality and appearance. The reflection maps also correspondences between constructive pro cesses of scientific image and its simulation in a specific artistic contextDownloads
References
DASTON, Lorraine,GALISON, Peter. The Image of Objectivity. Representations. Special Issue: Seeing Science, University of California Press, v. 0, n. 40, pp. 81-128, outono/1992.
FONTCUBERTA, Joan. O beijo de Judas: fotografia e verdade. Barcelona: Gustavo Gili, 2010.
OLALQUIAGA, Celeste. Megalópolis: sensibilidades culturais contemporâneas. São Paulo: Studio Nobel, 1998.
RICHARDS, Robert J. Haeckel’s Embryos: fraud not proven. Biology & Philosophy, Springer Netherlands, v. 24, n. 1, pp. 147-154, janeiro/2009. Disponível em: <http://home.uchicago.edu/~rjr6/articles/Haeckel--fraud%20not%20proven.pdf> Acesso em: 26.11.2015.
TARKOVSKIAEI, Andreaei. Esculpir o tempo. São Paulo: Martins Martins Fontes, 2010.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright and Licensing Policy
Authors of works submitted to Revista APOTHEKE authorize their publication in both print and digital formats exclusively for academic purposes. Reproduction is permitted, provided that the source is properly cited. Authors confirm the originality, authorship, and unpublished status of their manuscripts.
Articles published by the journal are freely available and intended for academic and non-commercial use only. All copyrights are transferred to the journal. The content of signed articles reflects the views of their respective authors and not the official position of Revista Apotheke. The author(s) agree to always cite the following reference when republishing or referring to the content originally published in Revista Apotheke:
“This article was originally published by Revista Apotheke in volume (insert volume), number (insert number), year (insert year), and is available at: http://www.revistas.udesc.br/index.php/APOTHEKE/index”
It is the sole responsibility of the authors to obtain written permission for the use of any material protected by copyright law included in their articles. Revista Apotheke is not responsible for copyright infringements committed by contributors.
Authors retain copyright and grant the journal the right of first publication, with the work licensed under a Creative Commons Attribution-NonCommercial License (CC BY-NC):
-
Attribution (BY): Licensees are allowed to copy, distribute, display, perform, and create derivative works, provided that proper credit is given to the author or licensor, in the manner specified.
-
NonCommercial (NC): Licensees may use the material only for non-commercial purposes.
After publication, authors retain the rights to their work and may republish the text.
